Queer Formalism: The Return monograph none more so than Cole’s

none more so than Cole’s own distinct way of seeing

It interweaves travel narratives and reflections on travel with an in-depth exploration of the human body

Wilma was in college when she went to the 1960 Olympics

All it requires is water

Das künstlerische Projekt Whatever von Peter Tillessen greift auf die klassische Tradition des Quodlibets zurück

Queer Formalism: The Return monograph none more so than Cole’sQueer Formalism: The Return expands upon William J. Simmonss original, influential essay Notes on Queer Formalism from 2013, offering novel ways of thinking about queer feminist art outside of the critical complicit and abstract representational binaries that continue to haunt contemporary queer art. It therefore proposes a new kind of queer art writing, one that skirts the limits imposed by normative histories of art and film. Artists addressed in