What the Mega Fuck! children She argues that Kraus’s 1997

She argues that Kraus’s 1997 I Love Dick marked the emergence of a newly performative

O’Doherty himself did not reveal the identity of his four alter egos until about 40 years later in his lecture “Divesting the Self: A Striptease”

pastoral innocence and electrified creativity – Electric Eden will be treasured by anyone interested in the tangled story of Britain’s folk music and Arcadian dreams

pursue a research practice through the many other media of architectural production

Following the events happening at the Sorbonne in May 1968

What the Mega Fuck! children She argues that Kraus’s 1997Between cabinet of personal curiosity and documentary corpus, this collection of images gleaned from the Web offers a contemporary vision of amateur photography. It questions the place, function, and sharing of vernacular images, but also the new social relationships this phenomenon illustrates. On the social networks and websites where these images are found, the content is often accompanied by the acronym WTF, signifying the bewilderment it causes a