Rehearsing Hospitalities dance explores its psychogeographic significance and

explores its psychogeographic significance and follows the idiosyncratic appropriations of the bollard by the inhabitants of the city

playing a part in some mysterious story

It is therefore not surprising that Mondrian’s essays on art theory

The series focuses on the rooms’ dated

photographer Wolfgang Tillmans

Rehearsing Hospitalities dance explores its psychogeographic significance andUpon what kind of power structures of knowledge and knowing are contemporary art and artistic institutions dependent? Do practitioners in the art field reproduce oppressive Western epistemic paradigms through artistic practices and institutional structures, moreand if so, is there space for emancipatory ways of knowing? What are the ways that intersectional subjectivities open up new epistemic processes within the artistic field? These are among the