Love - John Stezaker living accessible account of artists’ unique

accessible account of artists’ unique contribution to the art of the moving image in the twentieth and early twenty-first centuries

Fashion and Postcolonial Critique outlines a critical global fashion theory from a postcolonial perspective

Perou has been photographing Marilyn Manson since a 1998 magazine cover shoot

Requiem (1960) or Elegy in the Junk Yard (1961)

wie man das Beste aus saisonalem Obst und Gemüse herausholt

Love - John Stezaker living accessible account of artists’ uniqueThis catalogue showcases works by John Stezaker made by the artist between 1976 and 2017 and brought together in the exhibition Love (The Approach, London, 2018). They share and exemplify Stezakers iconic interruptions of, and interventions into, found images, which mostly date from the mid twentieth century and as such are products of modernist culture: notably film stills, press and publicity photographs, magazines and postcards. In making his art,